There’s a famous quote attributed to the composer Igor Stravinsky that every harpist knows: Harpists spend 90 percent of their lives tuning their harps and 10 percent playing out of tune. It has the painful ring of truth.
The harp is a treacherous instrument in this regard. The magic of the organic materials that comprise so much of the instrument is that they make the instrument very responsive to the player. Unfortunately, they also put the instrument at the mercy of every atmospheric change. A breath of cold air or a change in the moisture level in the room can cause the best-maintained harp to sound woeful.
We harpists understand that tuning is necessary; but it’s a difficult task and made more frustrating when the harp is out of tune five minutes after you finished tuning it. That’s why tuning is a step that almost all of us have been occasionally tempted to skip before our daily practice. We tell ourselves that it doesn’t really sound so bad and that it would be wasteful to spend our precious few moments of practice time in tuning the harp.
Before you give in to that temptation, I’d like to make the case for tuning, for spending those few minutes to make your harp sound its best for your practice.
SEVEN REASONS TO TUNE EVEN IF YOU DON’T WANT TO
There’s one more powerful reason to tune before you practice. Tuning can help you make the transition from the rest of your busy life to the harp. It can help you to focus your thoughts and to channel your creative energy. It can be a soothing pre-practice ritual or a few moments of reconnecting yourself to your music before you begin the work of practice.
Why not print out this list and keep it by your harp with your tuning key and tuner? You and your harp will be glad you did!
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