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3 Cool Metronome Techniques

May 13, 2013

The metronome is an essential tool for any musician. It can help you build your rhythmic confidence and keep a steady beat. You can use it to check your subdivisions or to solve a problem. I never practice without one handy.

Here are three ways you might not have thought of to use your metronome:

1. Click on the offbeats. We are used to hearing our metronome click on the beginning of every...

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Work on Your Technique – a Four-Part Practice Strategy

May 08, 2013

 

 

 

 

 

         Technique practice

We all want to work on technique, so we play a few scales, do a few exercises, learn some etudes. Often we take a rather haphazard approach. Is there a better plan?

Like any other part of your music study, your technical work should be focused and goal-driven. You should know what you want to accomplish,...

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Practice around the Potholes with Preparation Points!

May 03, 2013

One of my favorite practice techniques came in handy with a student today.

The piece was “La Source” by Alphonse Hasselmans. The problem was the bar lines. Not just one bar line, most of them. The student was having difficulty getting from one measure to the next. Everything was fine at a slow tempo, but as soon as we tried to speed it up, the bar lines turned into...

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Do You Know This Harp Chord?

May 01, 2013

There is one particular chord that my students and I grapple with frequently. It is used more often in harp music than perhaps any other chord. Yet it still can be a source of difficulty. Until we stop and examine the chord: what it is, how it is used,  how to practice it.

The chord is a simple triad, or three-note chord, like C-E-G. What is different about this chord is the...

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7 Ways to Eliminate Distraction and Get Focused

Apr 22, 2013

©iStockphoto.com/pictafolio

Distraction is one of my major problems, and I suspect I am not alone. When I was a young music student, I used distraction to help me avoid practicing (“Oops, I forgot to check my math homework!”). As an adult, I can sometimes be too distracted to focus on the practice I actually want to do.

Because practicing is a priority for me, I have learned...

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No Boring Scales Part 2

Apr 19, 2013

In Monday’s post, I wrote about ways to energize your scale practice. I received a number of comments and questions asking for more details. So I put together a quick video to demonstrate the techniques. I show you how you can use rhythmic motifs from any piece to practice your scales. In particular, I show you how to play scales in calypso and boogie woogie rhythm.

 


 

Enjoy!

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Bored with Scales? 5 Variations to Keep You Motivated

Apr 15, 2013

Scales are the biggest proving ground of your technique and musicianship. While you may have been playing scales since you first started playing music, that doesn’t mean that scales are only for beginners.

Well-played scales demonstrate:

A thorough understanding of keys.
Technical facility and agility.
A repertoire of articulation and dynamics.

For us harpists, scales can seem rather dull...

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Do you need a coach?

Apr 12, 2013

Working with a coach can make a big difference in how you play. Look at the staff of any baseball team. There’s a pitching coach, a hitting coach, a fielding coach, a catching coach, a bullpen coach, a first base coach, a third base coach. Sports teams spend big bucks on coaches for their players.

When I was a Curtis student, there were times I envied the singers. While I...

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Playing Music: The Good Parts

Apr 10, 2013

We love the good parts. The best scene in the movie, our favorite chocolate in the box, the center of a Tootsie Pop. In music, performances, applause, beautiful gowns, a love of music, or just being able to play a piece well are some of the good parts. And these are usually the things that inspire us to pursue music in the first place. But how do we feel about the not-so-good parts, like...

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Happy Birthday, Salzedo!

Apr 05, 2013

Carlos Salzedo: harpist, composer, teacher, innovator, born April 6. 1885. I never met him, but my teacher was his student, and I have had many opportunities to talk with others of his students.  I love the stories, much like I love hearing family stories about relatives I never knew. But in the true tradition of music, my deepest connection to Salzedo comes through his recordings and his...

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