Nearly everyone experiences some physical manifestation of performance nerves.

Whether it’s butterflies in the stomach, cold feet, sweaty palms, shaky hands or scattered thoughts, these symptoms can threaten to undo all our hours of hard work and preparation. Even worse, it’s often fear of the symptoms, not the anxiety about the performance itself, that causes the most damage.

This is why perfor...

Practice doesn't work.

Now that I have your attention, let me clarify.

The normal everyday practice that we usually do doesn't build the skills we need to play our music well. If you have ever practiced a piece and then had it crash when you performed it, you know this is true.

Consider this list of just some of the many distinctions between what we do in practice and what we need to do in p...

Is your technique keeping you from playing the music you love?

No matter what your playing level is or how many years you’ve been playing, your technique may be holding you back.

Your technique is the foundation for everything that you play. It is the essence of your tone, speed, fluency and musicality. If your technique isn’t ready to handle that piece of music on your music stand, you can prac...

There are many divides in the musical world, but perhaps none as charged as the question of whether to memorize or not.

There was music long before there was any way of writing it down. Learning was passed from one generation to the next. Of course, music was pretty simple back then. The earliest example of polyphony– music that combines more than one separate melody – dates from the 10th centu...

Read that title carefully, please. I’m not getting political; I’m being practical.

Playing music that you love is a great base for your repertoire, but if you want to play anywhere other than your living room, you will eventually need to play music that other people want to hear. The practical purpose of this post is to help you choose music to add to your repertoire that will serve you well, bot...

They make it look so easy, the great masters. From the long putt that wins the match, to the artists quick sketch that reveals more than a photograph could, to the lightning fast scales in a Mozart piano sonata, we mere mortals know the depth of mastery needed to perform at that level. We understand why our attempts at these tasks don't have the same easy grace.

What's more perplexing is why ta...

“A repertoire of 60 minutes begins with a single piece.” – Anne Sullivan

Okay, so I’m not Lao Tzu and my paraphrase of his famous saying about a journey of a thousand miles is not nearly as profound. But it is just as true.

The truth is that if you have just one piece that you can play, a piece that you enjoy playing and play fairly well, you can develop a repertoire of the scope and size that y...

The only thing we have to fear is fear itself. – Franklin Delano Roosevelt

As a performer, I never found much comfort in that thought. My fears or nerves before a performance weren’t lessened by knowing that they were my enemies. I already knew that. What I was looking for, hoping for, dreaming of, was a way to not be nervous.

The truth in Roosevelt’s statement, however, lies in the nature of...

Are you listening?

Good, because I want you to hear this: while practice, particularly properly focused practice, is the primary path to progress for any musician, the most important skill you can develop to propel you on that path is listening.

What makes listening so critical to your success?

First, it is your most important tool for identifying errors in your practice. If you don’t hear what...

Imagine what you could do if you could just learn music faster…

What would it be like to learn music quickly? You could learn more music in less time. You could spend less time practicing and more time playing. You wouldn’t need so much preparation time so you could take advantage of more playing opportunities. You wouldn’t have to beg directors for the music weeks in advance. You could play all ...